Things go awry in northern Nigeria

Confusion Na Wa (2013)


Streaming on Netflix


Pros: case, look

Cons: many loose ends

The 2013 “Confusion Na Wa,” written and directed by Kenneth Gyang, shot in Kaduna, is one African movie without any village-to-city dynamic, though it has self-righteous elders and amoral youth. There’s a lot going on in the movie, much of it connected to a cellphone picked up in the confusion at the start after someone was killed in the street. At the end, there are many loose ends, though the voiceover narrator declares (actually, repeatsg that things don’t necessarily happen for a (good) reason: ““When I was a boy, they told me everything happens for a reason. But they were wrong. Some things don’t happen for a reason. They just happen.”

Even if drugging and raping a young woman (Fola [Lisa Pam-Tok]) is the basis for justifiable homicide on the part of her father (Adekunle [Toyin Alab]), he picks the wrong guy to execute.

Nearby, another patriarch, Babajide (Tony Goodman, who has made a fortune as publisher of Righteous Trumpet Newspape, has hired a prostitute for the son, Kola (Nathaniel Deme), who is not certain if he is gay, and an honest hard-working man, Bello (Ali Nuhu) whose wife, , Isabella (Tunde Aladese), has gotten pregnant by the owner of the lost/stolen phone (Emeka [Ramsey Nouah]) was leaves, believing he has found his cuckolder, though he hasn’t.


RAMSEY1-659x370(Emeka getting an offer to buyback his business mobile phone)

chichi(Chichi waiting for payoff)

In addition to sexual double standards, hypocrisy, infidelity, homophobia, bribery, and an extended analysis of “The Lion King” as a celebration of colonialism in what is now Zimbabwe (Simba being a covert image of Cecil Rhodes!), the movie dramatizes class differences, especially that between the young thieves, Chichi (Ikponmwosa Gold) and Charles (O. C. Ukeje), the latter being the sexual player, and the other characters, both the fathers and their young adult children. And there are ironies beyond the confusions fomented by the purloined mobile phone.

Gyang (whose feature debut, “Blood and Henna” [2012] was set around the infamous Pfizer meningitis clinical trials in Kano) has expressed his admiration for the films of Mexican auteur Alejandro González Iñárritu, and the ahappenstance interconnections of “Amores perrros” (2000) seem a a particular inspiration.

Also, the production values were far superior to those of particular Nollywood movies, comparable to those of “Half a Yellow Sun.” Yinka Edward’s cinematography especially sdeserves praise.

Although Kaduna is primarily Hausa, the verbal exchanges not in pidgin or standard English are in Igbo (according to the subtitles, “speaking in Igbo”), though Igbo that has been found strange by native Igbo speakers. “Confusion Na Wa” won both Best Film and Best Nigerian Film at the ninth Africa Movie Academy Awards. (Gyang was nominated for the best director award, and Ikponmwosa Gold (whom I think was the lead) was nominated for best supporting actor.

Many movies are produced in Nigeria: Nollywood is third, behind Bollywood and Hollywood. “Confusion” is the most sophisticated and best Nigerian movie I’ve seen.


Bette Midler’s electrifying screen debut as “The Rose”

“The Rose” (1979)the-rose-5


Blu-ray $25.20 at Amazon 

[Rating 4/5]

Pros: performances, look

Cons: rather long

I am neither a big fan nor a detractor of “the divine Miss M” (Bette Midler). It took me a long time to watch her long movie debut (in the lead), the 1979 “The Rose,” directed by Mark Rydell. I knew that it was inspired by (as opposed to being based on) the self-destruction of Janis Joplin, and couldn’t imagine Miss M as Joplin. Midler is and was better looking than Joplin, a singer rather than a screamer, with a lower voice, and not a drug abuser

In the movie, Midler sports some Joplinesque costumes (and granny dark glasses), sings with more than usual soul (though I think it strange for a female vocalist to cover “When A Man Loves a Woman”). As for self-destructiveness, Midler acts. She was rewarded with an acting Golden Globe, an Oscar nomination, and a Grammy (for the title song). And she had onstage moves more reminiscent of Mick Jagger than of Janis Joplin.

It seems that half the movie is The Rose performing in various venues, including a drag club (with Sylvester among others), a Memphis country music bar, and a stadium. Midler has eleven musical numbers, some of them quite extended The concert scenes are very flashily photographed from multiple perspectives by an astonishing array of legendary cinematographers. In addition to DP Vilmos Zsigmond, Conrad Hall, Haskell Wexler, Lázsló Kovács, David Myers, Owen Roizman et al. were shooting, and though the movie’s cinematography was not Oscar-nominated, the editing by Robert Wold and Caroll O’Meara was, along with acting nominations for Midler as best actress and Frederic Forrest (at his peak: he was also a standout in “Apocalypse Now” in 1979). Forrest plays an AWOL army sergeant (ca. 1969, very much the era of Vietnam) working as a limo driver, who is shanghaied by the Rose, who beds him and adds him to her entourage.

From the first scene, in an office high above Manhattan, she says she wants to take a year off, and after she finds a man to love her for herself rather than as a rock star, it is her inability to stop getting audience adoration that drives him off, which sends her into her final tailspin in her native Memphis.

If there was a reference to Vietnam, I missed it, but she also dragoons another solider, played by David Keith, who also attempts to protect her, but does not seem to bed her.

I think “The Rose” is too long. In addition to the concert (etc.) videos, two scenes especially stand out. The Rose and her manager (Alan Bates, whose performance is more subtle and substantial than it seems through most of the movie) visit a singer-writer played by Harry Dean Stanton, some of whose songs the Rose has covered, with greater success than the original. She expects him to be appreciative, but he is not and shocks her by asking her not to cover any more of his songs. (In the interview on the Criterion Collection bonus disc, Midler recalls that she did not know what was coming in the scene and was taken aback, which is just what Rydell wanted.) The other is an incredibly bravura scene, both for lighting and for acting: the Rose is in a very brightly lit phone booth with a football practice field behind her. Practice ends and the lights back there are extinguished, but the lights on her falling apart in the phone booth become even more intense. (Zsigmond discusses this lighting in a long and somewhat slack half hour interview on the bonus disc, interviewed by John Bailey.)

The insecure star on the road, abusing alcohol and drugs, is a painful spectacle, and Midler mugs not at all in this movie. The Rose is only fully alive when onstage and rallies for an all-out performance of “Stay with Me,” when she should be in a hospital (her manager implores her to go there rather than onstage).


I haven’t listened to the commentary track, but appreciated the new interviews of Midler, Rydell, and Zsigmond, plus a 1979 one of Midler by Gene Shalit, and some production footage narrated by Tom Brokaw from the Today Show, ca. 1978. From a discerning inset essay by Paula Mejia, I learned that the stadium (supposedly in Memphis) for the Rose’s homecoming concert was in Long Beach and the indoor theater scenes were filmed in LA’s Wiltern Theater. From Rydell’s interview and Meijia’s essay, I was reminded that Midler had a fraught relationship with her star-making agent, Aaron Russo (evoked by naming the Rose’s manager Rudge, I’m pretty sure.)


Being a Criterion release, the movie looks great. I’m astonished that the work of Zsigmond et al. did not receive an Oscar nomination (I can see Vittorio Storaro’s claim for “Apocalypse Now,” but nominations for “1941” and “The Black Hole”?)

KitchenAid Artisan Stand Mixer: The Future Was Then

KitchenAid Artisan 5-Quart Tilt-Head Stand Mixer in White

005See it at Amazon 


Pros: Capable of performing the tasks it claims.  Multiple beater choices come standard.  Tilt-Head locking mechanism.  Power-take-off accepts attachments for juicing, pasta creation and other kitchen chores.

Cons: Weight may make it difficult to move for some.  Excessive motor noise and gear-clash annoying.  Dated styling and moderate footprint make countertop storage an issue.

The Attrezzi was sleeker and quieter - and it never had a chance.
The Attrezzi was sleeker and quieter – and it never had a chance.

For the past decade, I have had a successful bread-making relationship with the Jenn-Air Attrezzi stand mixer.  Also known as “Maytag’s Last Gasp”, this streamlined Italianesque small appliance was axed in April of 2006 when Whirlpool Corp. acquired Jenn-Air’s parent company.  With KitchenAid also beneath the Whirlpool umbrella, there was no need for the established brand to compete with an acquired inter-corporate rookie.

Mid-30s Moderne

The original KitchenAid Model K was produced by the Hobart Corporation and dates back to the Art Deco age when Raymond Loewy was the King of Industrial Design.  Though Loewy has been dubbed “The Designer of Everything” (including the Coca Cola bottle, automobiles and locomotives), the Model K was actually a creation of Egmont Arens – whose realm of design includes the ice cube dispenser and Electrolux vacuum cleaner.

Sensational in its day was the original Model K.  [Image:  Cindy Funk - Flickr]
Sensational in its day was the original Model K. [Image: Cindy Funk – Flickr]

Introduced in 1937 at a suggested retail price of $55.00, the Model K has been tweaked over the decades, but its appearance is essentially unchanged.  Though laudable for its longevity and basic form-and-function, the updated Model K shows its age when conspicuously placed in a 21st century kitchen.

Sensory Perception

The Artisan and crew get ready to mix-it-up.
The Artisan and crew get ready to mix-it-up.

The degree of Artisan drab becomes moot when the mixer is activated.  In the lower range of its ten available speeds, the motor spins with a growl and clash that startles and rankles.  While whipping fresh cream for a strawberry shortcake, several conversing guests fled the nearby counter stools – due to their inability to hear or be heard above the Artisan’s din.

To its credit, the Artisan has survived numerous kitchen challenges for more than a decade with a motor that sounds as if it’s been ready to fail since day-one.  Conversely, the Jenn-Air is handsome and quiet, but is fitted with a sloppy tilt-head lock that is inferior to that of the Artisan.


The Artisan with its standard equipment attachments and pour shield.
The Artisan with its standard equipment attachments and pour shield.

What KitchenAid delivers is variety.  Included as standard equipment are the wire whip, batter paddle and dough hook.  A clear plastic pour shield fits atop the 5-quart bowl to discourage flour waft and contain spatters.  Should an attachment make contact with the stainless steel bowl while in operation, a screw located on the underside of the tilt-head will adjust the attachment up or down.

A power-take-off shaft on the front of the mixer will accept more than a dozen optional attachments.  A juicer, food processor, meat grinder, grain mill and an assortment of pasta gadgets prevail.  Though I currently own none, the optional ice cream maker is the most tempting potential acquisition.  But how long will I have to endure the motor noise before chowing-down on the resulting frozen delight?

Work In Progress

Planetary action makes quick work of this Toasted Coconut Cake batter.
Planetary action makes quick work of this Toasted Coconut Cake batter.

The Artisan‘s planetary action spins the attachment in the opposite direction of the head – this all-inclusive dual orbit minimizes the need for continually scraping the bowl.  As a result, be aware that whipping heavy cream or egg whites to a desired consistency requires much less time to accomplish vs. a conventional mixer.

While kneading bread dough, the motor doubles-down on gear gnash, but its growl belies its durability.  I’ve never trusted the Artisan to a double-dose of dough, though there are those who do without apparent consequence.  Both the dough hook and batter paddle wear a plastic coating and are dishwasher safe – as is the 5-quart stainless steel bowl.  Due to its aluminum base, I always hand-wash the wire whisk.

Even when cornered, the Artisan lives large.
Even when cornered, the Artisan lives large.

Dependability was for decades the Maytag motto, but it also applies to the KitchenAid Artisan through corporate acquisition.  Its versatility, ubiquity and legitimate (though strictly utilitarian) retro heritage – along with a competitive price and variety of vivid colors – make it the current king of kitchen clamor.  Every kitschy cookhouse should have one – and probably already does.

My Toasted Coconut Walnut Cake awaits the oven.

KitchenAid division of Whirlpool Corporation
Customer eXperience Center
P.O. Box 218
St. Joseph, MI  49085

All images generated by the author unless otherwise noted.

KitchenAid Artisan

Protects and Moisturizes – Jason Aloe Vera Hand and Body Lotion

Jason Pure Natural Aloe Vera 84% Moisturizing Hand and Body Lotion

See it at Amazon 

[Rating: 5/5]

Pros: non-greasy moisturizer, rich botanical composition, light fragrance

Cons: don’t expect it to heal all skin conditions

I had never heard of the Jason brand of hand and body lotion until a relative gifted me with several tubes in different scents.  My favorite lotion is this Jason Pure Natural Aloe Vera 84% Moisturizing Hand and Body Lotion.


Jason lotion comes in a squeezable 8-ounce tube.  The tube has a flip-top lid.  The lid is flat so that the tube can stand upright on a flat surface.  This product is advertised as having a concentrated, rich botanical, hydrating non-greasy formula.  It is promoted as a relief to newly shaven, dry, or irritated or sun-damaged skin.  Jason also never tests their products on animals.

The manufacturer suggests using the lotion on skin that is still slightly damp after a shower or bath.  Suggested daily use is recommended.

My Experiences

My sensitive nose is very happy with the scent of this Jason Aloe Vera lotion.  The fragrance is light and almost a non-fragrance.  I can’t compare it to any one thing.  It is not flowery and does not have a perfume smell.  The scent (light as it is) is pleasant and quickly dissipates after the lotion is applied.

The white lotion easy comes out of the tube without being too liquid.  I mainly use this lotion on my legs, which tend toward dry skin.  If I don’t use lotion, it doesn’t take long for my skin to develop a dry, irritated itching.  The Jason Aloe Vera lotion easily absorbs into the skin.  As advertised, it is not greasy, and it leaves no residue.

I definitely notice my skin is happier after applying this lotion.  I use it daily, sometimes twice a day (morning and evening).  It does a great job keeping my skin hydrated.  Don’t think this lotion is a miracle worker though.  I have a rough patch of flaking skin on my thumb, and my hands are smoothed with this lotion as it is worked into the legs … yet that rough patch of skin on my thumb is still there.  My skin feels soft on both hands and legs; even that rough spot.  So I know the lotion is working well.  It’s just not a miracle healer, but it isn’t advertised as one either.


The ingredients list is from the manufacturer’s website:

Aloe Barbadensis Leaf Juice (1), Aqua (Water), Caprylic/Capric Triglyceride, Glyceryl Stearate SE, Cetyl Alcohol, Stearyl Alcohol, Glycerin, Potassium Cetyl Phosphate, Ethylhexyl Palmitate, Dimethicone, Helianthus Annuus (Sunflower) Seed Oil (1), Persea Gratissima (Avocado) Oil, Chamomilla Recutita (Matricaria) Flower Extract, Camellia Sinensis Leaf Extract, Panax Ginseng Root Extract, Ascorbic Acid, Panthenol, Retinyl Palmitate, Tocopheryl Acetate, Allantoin, Citric Acid, Xanthan Gum, Caprylyl Glycol, Ethylhexylglycerin, Phenoxyethanol, Potassium Sorbate, Sodium Benzoate, Amyl Cinnamal, Benzyl Benzoate, Benzyl Salicylate, Butylphenyl Methylpropional, Citral, Geraniol, Hexyl Cinnamal, Hydroxycitronellal, Limonene, Linalool, Fragrance (Parfum) — (1) Certified Organic Ingredient


I enjoy using Jason Pure Natural Aloe Vera 84% Moisturizing Hand and Body Lotion.  The scent is mild, and the lotion is easy to apply.  It absorbs well into the skin, and my skin feels better after I use it.

I hope you found this review useful.

Enjoy your day,

Copyright 2015 Dawn L. Stewart

Other products I enjoy using.  Click image to view on Amazon.

GNC Moisturizing Cream                      Aveeno Natural Sunscreen

One-A-Day Petite Multivitamin                Os-cal Chewable Calcium 

The Hardy Boys Volume 3 – The Secret of the Old Mill

The Hardy Boys Volume 3 – The Secret of the Old Mill



 $7.90 at Amazon 


Pros: Solid, straight-forward story

Cons: Too straight-forward


*Spoilers lurk ahead*

The Secret of the Old Mill is, in my humble opinion, one of the strangest (Grosset & Dunlap) Hardy Boys stories ever published. Surprisingly, this “strangeness” is not due to the story’s content, but rather,  to the “staightforward-ness nature” of the story, itself. Very few nuances, to be sure. So, let’s get the house-keeping out of the way, and discuss this one in more detail….

*By the way, check out the cover. Does anyone else think Frank Hardy looks like Tony Dow/Wally Cleaver? Just saying….

Stuff I have said before

Frank, aged 18 with dark hair, and blond, 17-year-old Joe Hardy are sons of the famous private detective, Fenton Hardy, who made his reputation as a “crack” detective working for the NYPD. Frank and Joe live in the town of Bayport, USA–somewhere on the coast of New Jersey (hard to believe they may have grown up in the same town as Snooki, isn’t it?)–and are both seniors at Bayport High School. As you may have ascertained by now, they are following in their father’s footsteps as amateur detectives…and aren’t too bad in their own right, either.

Please note: As a child, Frank missed a full year of school due to an illness.

In addition to their father, Frank and Joe live at home with their mother, Laura (she is hardly ever given anything to do in these stories) and their irascible Aunt Gertrude who always has dire predictions of gloom and doom awaiting Frank and Joe…but “is secretly proud of their sleuthing abilities.”

Chet Morton is the Hardys’ best friend. He is a bit chubby, and quite fearful–but a loyal friend. Chet, in addition to providing comic relief, usually has some new hobby that always manages to tie in to the Hardys’ latest case. This week it is an interest in science (as long as the science involves microscopes).

Tony Prito and Biff Hooper are two other very close pals of Frank and Joe. Tony’s dad owns the Prito (how original) Construction Company and Tony, himself, has a boat: The Napoli. Biff (real name is “Allen”) is the nephew of a famous boxer–FWD forgot who, apparently–and provides much-needed muscle: “Many a criminal had felt the iron of Biff’s wallop.”

Jerry Gilroy is the “Wedge Antilles” of the Hardy Boys universe. I call Jerry “the Wedge Antilles…” because I have always (not really) thought the two characters have a lot in common: We do not know their respective back stories; they only show up every now and then–yet survive their series’ entire run. I still maintain Jerry has his own set of adventures that George Lucas, er, Grosset & Dunlap, have failed to cash in on. Maybe someday.

Detective wanna-be, Oscar Smuff, also makes a brief appearance in this story, for comic relief only. More on him below>

Finally, the Hardys’ romantic (if you want to call it that) interests are: blonde-haired Callie Shaw and Iola Morton (Chet’s raven haired sister). “Vivacious” and “fun” is what we are told about them. It seems to be true.

Pssst: If you want the inside scoop on Franklin W. Dixon, check out my review of The Tower Treasure, ok? But, I warn you, it’s not for the faint of heart.


The Secret of the Old Mill

Alas, no “Briefly” section this time out. There just isn’t enough material for more than 2-3 sentences, if that. And, it’s worth noting the only other time I skipped a Briefly section for one of these novels was for my Epinions review of Hunting For Hidden Gold. However, that was due out of respect  to its being–by far–the most well-written HB story I have ever read.

There is a lot of stuff going on in and around Bayport this time out. Mr. Hardy is away on a case, so Frank and Joe get enlisted to check out the strange goings-on at the Elekton Corporation, located just outside of Bayport. It seems EC is working on rockets, and the evil foreign agents (once again) have descended onto Bayport. Frank and Joe investigate and ask the question: Could this case be related to Dad’s??

What do you think?

Meanwhile, back in Bayport, counterfeiters have also arrived, and Chet Morton is one of their latest victims (as he is on his way to purchase his new microscope). Oscar Smuff is on it! But, this just leads to yet another epic fail by OS so our intrepid heroes take over “his” case, too.

Where is Mr. Hardy?

We also have a 14 year-old kid, Ken Blake, riding around Bayport on his bicycle, and he manages to always show up at the wrong place at the wrong time. What’s he up to, anyway?

And, finally, an evil dude known only as “The Arrow” (no, not Stephen Amell) is on the loose, shooting arrow after arrow at our heroes. Fortunately, his aim is on the level of your average Star Wars villain.

Oh yeah, I almost forgot (which is telling) – an old mill also figures into this case, and said mill has a, er, secret. It seems something strange is going on at and around the old mill. How do Frank and Joe know this? They just know, ok?


So, after just reading all of the varied aforementioned goings-on of this story, one would think this would (work with me) make for a great read. Unfortunately, not so much. As I have said in reviews past, I still have my HB novels from childhood, and I will re-read them from time to time and it’s usually a very enjoyable experience. However, it has been so long since I last read this one, I pulled it out and gave it a re-read before writing this review.

And, I now know why it has been such a long while….

The story, despite a few exciting elements that mesh together fairly well, just isn’t interesting at all. FWD (perhaps he was sober) writes at a very methodical, matter-of-fact pace, and the story plods along its 180 pages or so to the conclusion…..yet never really takes on an identity (Re: charm) of its own. It’s serviceable, just not very interesting….

….oh, we get the brief humor with Oscar Smuff hot on the trail of the counterfeiters–and I do admit the hide-and-seek he plays with one of “them” is hilarious. We also get a chapter devoted to the HB’s getting their speedboat, The Sleuth, and that is entertaining, too. However, both of these sequences occur within the novel’s early chapters, and then it is as if the author just followed the outline given  him to a “T” and didn’t try to stamp his personality onto it in any way, shape, or form.

This is what I believe happened, anyway.

So, in conclusion, I am rating this with three very unenthusiastic stars but please understand my rating  of “barely passable” is geared only towards diehard HB fans. If this isn’t you, then you should pass on it. It is a decent, one time only, read for fans only. You’ve been warned!

Thanks for reading.

The Hardy Boys Volume 3 – The Secret of the Old Mill

*The Secret of the old Mill was first published by the Stratemeyer Syndicate in 1927, and written by Leslie McFarlane. The updated version reviewed here was published by Grosset & Dunlap in 1962, and written by Alistair Hunter. Thank you, Wikipedia.

ISBN-10: 0448089033

ISBN-13: 978-0448089034


Sauder’s “Multimedia Storage Tower” Is Well Worth 40 Bucks

Sauder Multimedia Storage Tower, Cinnamon Cherry


See it at Amazon 


Pros: Price (about $40 including shipping). Capacity. Ease of assembly. Satisfactory appearance.

Cons: Back panel’s permanent “fold marks.”

Last March I was in the process of completing my collections of (mostly) “racing” video games for the PlayStation 2; GameCube, and original Wii systems. I’d decided to segregate those older games from my flagship Xbox 360 console’s compatible games (kept in an adjacent billiard/games room), and so I ordered this Sauder Multimedia Storage Tower [from for slightly over $40], and I installed it in my home office’s 6’ x 6’ walk-in closet.

According to Amazon, this product’s “assembled measurements are 32.50 inches wide by 9.375 inches deep by 45.375 inches tall.” However, those numbers pertain to the maximum exterior size of the product, not its usable shelf space. Accordingly, prospective consumers should note well that the actual shelf width and depth (per my hands-on measurements) are 32.2 by 5.5 inches.

As for the usable height of each shelf tier, well, using some of the manufacturer’s predrilled holes (for which insertable little metal “supports” are provided), I’ve adjusted four (of the six included) shelves such that there are five tiers (not counting the top of the cabinet), each measuring about 8 inches high. [This assumes you want each tier to accommodate conventional “DVD” cases, like those originally included with most PS2, GameCube, or Wii video games.]

According to the manufacturer, this “storage tower” can hold 426 CDs or 280 DVDs. In actuality, I filled this tower with only 265 “DVD” cases, as follows: 150 PS2 games; 62 GameCube games; and 53 Wii games. [Sure, I could’ve shoehorned another four or five such cases, but that would’ve made for an annoyingly tight fit.] Now, on the one hand, I wish the shelves were each several inches wider (which would’ve let me display my entire collections of PS2, GameCube and Wii titles). On the other hand, I recognize that any amount of increased width would’ve likely engendered significant warping of the composite-wood shelf boards after several years. [Thus I’m philosophically content to compromise by storing my least significant game titles in a nearby chest of drawers.]

After about five months of use — with all shelves fully loaded with video game discs in DVD cases — there’s no noticeable warping. However, at least one other online reviewer has reported that after a year or more of use, a tolerably slight amount of warping has indeed begun to occur with his specimen. Considering the low cost of this product, I’m not unduly concerned about that issue. Besides, at some point in the future, I could easily invert each shelf board (after applying some dark Minwax stain to the presently unfinished underside), which should effectively reverse any such warping.

By the way, since inverting the shaped top piece of the cabinet would not be an option, I strongly suggest that you don’t place any weighty objects atop this product. [I myself have (primarily for display purposes) placed just five games there that I selected for their cases’ particularly attractive front-cover art. And since I’ve got that handful of featherweight objects positioned “face-forward” near the back edge of that top piece (where at least a modicum of additional support is provided by the thin, nailed-on back panel), I don’t anticipate any perceptible warping in my unit’s top.]

Regarding color, the manufacturer calls it “Cinnamon Cherry.” The actual specimen that I received looks pretty much like a somewhat reddish version of dark walnut. (My specimen looks a bit darker than the above product image.) Although I could’ve used a somewhat lighter hue (to more closely harmonize with a preexisting dark-oak closet shelf on which I’m displaying a six-foot-wide row of original PlayStation [PS1] games in standard “CD” jewel cases), I’m more than satisfied with this product’s somewhat darker color, and I certainly would prefer it to more extreme alternatives like “ebony” or “light oak.”

If you look carefully at the above (click-twice-to-enlarge) product image, you’ll notice that the woodgrain back-panel piece has two vertical “creases” running from top to bottom; this reflects the fact that that panel was packed folded, and only when you unfold and nail it to the rear of the cabinet’s edges does the back panel flatten out. (Actually, as you can see in the photo, it doesn’t quite completely flatten out; indeed, at those points where a videogame case is directly in front of a back panel crease, the case is effectively pushed a fraction of an inch forward. Fortunately, the degree of such discrepancy is slight enough to be scarcely noticeable.) Though the back panel’s permanent “fold marks” will scarcely matter for most installations, they could prove annoyingly conspicuous if much of the shelf space isn’t sufficiently filled with media or whatever.

Though this rock-bottom-cheap product obviously can’t match the hardwood custom cabinetry in my house’s featured books-and-music “library” rooms, it’s plenty good enough for displaying the aforementioned older videogame collections in my home office’s walk-in closet. In fact, this easy-to-assemble/move Sauder unit wouldn’t look half bad in many an apartment living space– especially if you’re not pernickety and/or must make do on a tight budget.

ROSEMARY’S BABY and THE OMEN Get the Found Footage Treatment: DEVIL’S DUE


See it at Amazon 


Pros: Sense of ambiguity and mystery; first half of the film isn’t bad

Cons: Ending is a disappointment; too many cheap thrills, not enough genuine tension

With the ghost story formula of Poltergeist and numerous other films tackled using first-person perspective in 2007’s Paranormal Activity and even The Exorcist getting the discovered footage/mockumentary treatment in 2015’s The Atticus Institute, why wouldn’t horror film fans expect a found footage variation of Rosemary’s Baby and/or The Omen to pop up at some point? Abandoning any attempt to justify that formatting, 2014’s Devil’s Due presents the story of newlywed couple Zach and Samantha McCall who, after a honeymoon in the Dominican Republic, start to suspect that something is very fishy about their subsequent unplanned pregnancy. With shadowy figures and pseudoreligious symbolism appearing all around them, it would appear that Samantha is about to give birth to the antichrist, but husband Zach doesn’t seem willing to write off his unborn child just yet.

Devil’s-Due-(2014)-HollywoodInsert John Williams’s Jaws Theme here…

Told by way of any number of handheld and closed-circuit security cameras which seem to capture any and every aspect of the McCall’s everyday life, there’s not so much as a hint of authenticity to this film. I suppose in a way it’s advantageous that filmmakers have decided that the found footage gimmick can be used just because (some) audiences enjoy it: there doesn’t really have to be any effort made to make these films seem believable anymore since no one would in the first place. As such, Devil’s Due writer Lindsay Devlin and co-directors Matt Bettinelli-Olpin and Tyler Gillett can concentrate on telling their story in the best way possible, without any concern for upholding the illusion of the film portraying real events. Unfortunately, the film they’ve delivered becomes ever more goofy as it goes along – in the lousy way these “scary” moments are crafted onscreen, I half expected comic-book style balloon descriptors to intrude, accentuating the film’s action (BOOM! BANG! POW!) but more importantly pointing out exactly how the writer and directors wanted the audience to react (GASP! SHIVER!).

devils-due-mainNot quite normal behavior from a pregnant woman…

In dealing with a story like this, it’s almost inevitable that the fear of pregnancy itself is the most frightening notion being dealt with. Devlin’s script might not be the most logical thing in the world, but it does a satisfactory job of capturing the anxiety of the prospective parents. Cast members Allison Miller and Zach Gilford handle this material fairly capably, and there are some genuinely uncomfortable moments in a first half or so that’s much more reliant on subtle, eerie elements and a palpable sense of dread rather than obvious cheap thrills. I could even buy into the obligatory dark ritual which resulted in Sam being impregnated: related to the camera in a protracted, very mysterious manner, I wasn’t sure quite what I was seeing, but it was appropriately spooky and bizarre – even more so when placed alongside joyous images taken during the couple’s honeymoon.

The film has some downright uncomfortable moments early on relating to the fear of pregnancy.

Down the stretch though, Devlin throws any notion of subtlety out the window and revels in the same sort of basic ingredients found in virtually every supernatural-related horror flick – people and objects being tossed around by unknown forces, a group of zombie-like fiends seemingly pulled straight out of John Carpenter’s under-appreciated Prince of Darkness, a priest making desperate exclamations about the end times. It was at this point that Devil’s Due started to lose me…and eventually made the transition into being more funny than scary. It’s been quite a while since I chuckled at a straight horror movie as much as I did at the final third of Devil’s Due. At a certain point, Devlin goes completely overboard in an attempt to give what had been a slow-burner of a creepy movie a wopbop-a-loobop-a-lopbamboom conclusion. Making up for lost time in an appeal to the ADHD generation, this loud finale went against everything that had occurred earlier and wound up turning this fairly typical but nonetheless watchable flick into a mostly ludicrous hunk of cheese.

devils-due-zack-wallNicely executed?  Sure, but slick visuals can’t make up for a script that runs out of ideas.

As was the case in The Atticus Institute, Devil’s Due suffers from a lack of legitimate tension – the film actually lets the viewer off the hook precisely when one would expect the suspense level to be nearly unbearable. Honestly, the only moment in which I was truly unnerved was during a child’s “hide and go seek” game – this scene had been featured in the advertisements for the film and I was a bit apprehensive awaiting the inevitable jump scare that I was sure would occur very shortly. Imagine my massive disappointment when even this scene didn’t offer up that much of a jolt in the end – the suspense was mostly in my mind. Perhaps that notion suggests the most damning thing about this film: it shows too much to viewer. Movies like The Blair Witch Project, the original Paranormal Activity, and even Jaws for that matter worked as well as they did because they more often than not forced a viewer to imagine the monstrous entity at their center: as has been proven time and again, the human mind is capable of visualizing much more disturbing and unsettling imagery and ideas than what any crack team of special effects artists can create. By simply allowing its more fantastic scenes to play out on screen, Devil’s Due actually becomes less effective as a horror film even though the effects themselves aren’t bad.

maxresdefaultEnjoy it – the only really creeped-out moment in the film.

Eventually, all the smoke and mirrors in the world can’t save Devil’s Due from seeming like anything other than a run-of-the-mill found footage flick that picks up ideas from various classics of the horror genre and mashes them together into tiresome hodgepodge. The film is capably made, and has some clever (if rather familiar) moments, especially early on. I also rather liked the sense of ambiguity that seeps into the film during certain stretches, although many viewers take a more negative view of events not being explained thoroughly. By the time the story heads into the home stretch however, the fresh ideas have clearly been exhausted and a viewer is left to trudge through a gory but mostly ineffectual and unsatisfying final act. To be honest, Devil’s Due isn’t as truly abysmal as I thought it would be, but it’s hardly something that I’d urge people (even those who enjoy b-grade or found footage horror) to see – if you do enjoy this sort of movie and have an hour and a half to kill, knock yourself out…but don’t expect greatness.

Rest assured – this publicity stunt is much more clever than anything in the film:


blood & guts
6/10: Though relatively bloodless early on, it unleashes a torrent of gore by its conclusion.
smack talk
7/10: Fairly regular use of profanity, including numerous f-bombs.
fap factor
1/10: Extremely brief nudity shot from a distance and some mild sexual references.
whack attack
6/10: A rather ambiguous found footage Omen that has its moments but is ultimately disappointing.
“Children, it is the last hour / and as you have heard that the antichrist is coming / so now many antichrists will come / Therefore we know that it is the last hour…”

Well-Made but Unexceptional Document of the LAST DAYS IN VIETNAM


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Pros: Comprehensive and factual, with a nice selection of archival film footage

Cons: Quite dry – it plays like a television documentary, not a feature film

Telling the story of the events of April 1975, which saw thousands of American military personnel – and many more thousands of South Vietnamese citizens – trying to scramble out of the country as the communist military closed in on Saigon, the 2014 documentary Last Days in Vietnam is a competent but somewhat uninspired production. Appropriately enough, the film was picked up for distribution by PBS’s American Experience Films, but I found that this program existed in the same realm as 2005’s March of the Penguins. Like that film, Last Days is comprehensive with regard to its subject and perfectly fine to watch, painting a detailed portrait of a rather unfortunate period in American and world history. That said, it’s virtually the same sort of thing that plays on PBS on any given evening, neither better nor worse than the typical television documentary. I guess I just wasn’t impressed enough by Last Days to feel that either an Oscar Nomination or an elevated level of attention was really warranted: it just really didn’t strike me as being all that special.

LAST DAYS IN VIETNAM - 2014 FILM STILL - A CIA employee helps Vietnamese evacuees on an Air America helicopter the top of 22 Gia Long Street, a half--milefrom the U.S. Embassy. April 29, 1975 - Photo Credit: Bettmann/Corbis/ Drafthouse Cinema

The program begins with a crash course examination of the latter stages of American involvement in Vietnam. By 1973, with public opinion firmly against any further action in Southeast Asia, American president Richard Nixon announced that a cease-fire agreement had been signed in Paris, allowing for the vast US military force in the region to start exiting the combat theater. A year later, Nixon left office in the wake of the Watergate scandal, and in late 1974, the North Vietnamese leadership tested the ever-waning resolve of the United States by initiating a full-scale invasion of the South. As they likely anticipated, American leadership (namely, new president Gerald Ford) mostly sat by as communist forces tore through the country, virtually obliterating the under-equipped and increasingly desperate South Vietnamese army. By April 1975, all seemed lost in Vietnam, and despite American ambassador Graham Martin’s reluctance to accept the hopelessness of the situation, evacuation plans were being put in place and carried out – with or without official clearance.

Last_Days_in_Vietnam_2Directed by Rory Kennedy(daughter of the late Robert F. and Ethel Kennedy), Last Days in Vietnam is told mostly from the mouths of various people who were in the midst of this evacuation process. First priority was to get any and every American out of the country, but there also was a heroic attempt made to rescue as many South Vietnamese citizens as possible. Many of these Vietnamese had worked with the Americans during previous combat operations and were likely to be executed or imprisoned if they were captured by the communists. Several concurrent stories are told during the documentary: some of the interview subjects reveal the situation in and around the American embassy in Saigon (which became an absolute mob of people trying to flee the country), while other interviewees explain an operation to take several boatloads of personnel from an outpost in Can Tho downriver to the South China Sea or discuss what was happening on board the vessels offshore which had to accept an absolute deluge of refugees. Meanwhile, former Secretary of State Henry Kissinger reveals what was going on in the mind of the President and his staff. The cuts to black which mark the transition between these various stories are somewhat awkward, but listening to the first-hand recollections of the events makes the picture more poignant – especially when it comes time for the last helicopter to leave the embassy despite the fact that some 400-plus individuals were still awaiting rescue.

148873_origAccompanying the interviews is a truly remarkable collection of archival footage which captures most every major event mentioned. Many of the images associated with the fall of Saigon have become iconic: helicopters picking up passengers lined up on rooftops, choppers being pushed into the sea to make way for more refugees on the nearby ships, crowds of people scrambling to vault the fence or storm the gates of the American embassy. Indeed, it’s the stories relating to these images that get the most screen time during the film, but I was more impressed by the material which documented the other, less widely-known events taking place during the evacuation (especially noteworthy are audio tapes made during 1975 by a sailor stationed just off the Vietnamese coast). Edited together exceptionally well, the program makes use of appropriately somber and often quite dramatic music by Gary Lionell as well as computer graphics which identify and establish the various locations discussed. These rudimentary animated sequences aren’t flashy, but they nevertheless do a fine job of allowing the viewer to get a sense of what the ongoing operations involved in terms of logistics and strategy.

maxresdefaultHonestly, there’s nothing especially wrong with Last Days in Vietnam, but it may not be the production that some viewers might be expecting. Though its title seems to suggest a more far-reaching examination of the end of the Vietnam War, Last Days actually focuses almost singularly on the evacuation process. There’s very limited commentary about the Vietnam War as a whole; I actually found that Kennedy’s documentary almost assumes the viewer has some working knowledge about the conflict going in, and a viewer is unlikely to gain much far-reaching understanding about this conflict based solely on this particular film. Maybe I’m just too used to documentary filmmakers getting on their soapbox anymore, but I was a bit surprised that Kennedy didn’t take the chance to point out the extremely obvious parallels between the war in Vietnam and the ongoing conflicts in the Middle East. This sort of commentary may have stretched the boundaries of what a PBS documentary was expected to do, but I think some provocative content would have been beneficial in a film that walked the straight and narrow almost to a fault.

p02wr6d3In some ways, it’s to the film’s credit that Last Days in Vietnam does stay so focused on the task at hand and keep its eye on the prize.  Still, this documentary seemed a bit dry to me – certainly, it covers its subject quite well, but the film’s payoff seemed rather meager since there wasn’t a big message or obvious point that revealed itself in its final moments. Additionally, the lack of much directorial flair or pizazz made this play like a typical made-for-TV piece and it didn’t at all strike me as something entirely worthy of a theatrical release. If anything, I might say that Kennedy’s film is noticeably plain and entirely ordinary, a film that’s watchable because of the compelling stories being told by its interview subjects, not because it’s a masterpiece of cinema. Without doubt, Last Days in Vietnam is a well-made, informative, and interesting documentary, but it won’t hold much appeal to those not already interested in the subject. Though it’s worthwhile, I’d give it only a moderate recommendation.


blood & guts

3/10 : Isolated glimpses of combat violence and related fatalities, though not overly graphic

smack talk

2/10: A couple instances of minor profanity.

fap factor

0/10: Nada

whack attack

2/10: A straight-forward, PBS-style documentary.


“The end of April of 1975 was the whole Vietnam involvement in a microcosm.  Promises made in good faith; promises broken.  People being hurt because we didn’t get our act together.  The whole Vietnam War is a story that kinda sounds like that…”

This Cat is Eating Fancy – Feasting on Salmon Primavera

Fancy Feast Elegant Medleys Wild Salmon Primavera

Fancy Feast Wet Cat Food, Elegant Medleys, Wild Salmon Primavera with Garden Veggies and Greens in a Classic Sauce, 3-Ounce Can, Pack of 24

See it at Amazon 

[Rating: 5/5]

Pros: pleasing mix of fish, vegetables and greens for the cat – small pieces in a sauce

Cons: a bit more expensive than “bargain” cat foods

My cat insists on greens in his diet, and it seems his digestion does better when I incorporate greens into his meal plan.  One way to make him happy is feeding him Fancy Feast Wild Salmon Primavera from the Elegant Medleys line.  Sounds like he eats better than I do!


Fancy Feast Elegant Medleys Wild Salmon Primavera is packaged in a metal can with a pop-top lid.  The can has a distinctive green tint to it in keeping with their “can greens” advertising.  Each can contains three ounces of food.

Our Experiences

Our morning routine begins with the cat trampolining off my slumbering body.  If that doesn’t grab my attention, he persistently inserts his head beneath my sprawled arm: “Kitty wants pets now!”  And if that doesn’t roll me out of bed and onto my feet, I soon feel whiskers tickling my nose, and slanting an eye open reveals a feline face a quarter-inch from mine.  Since this completely freaks me out every time, I don’t know why he doesn’t start with that maneuver.

Once I’m mobile and have successfully been herded to the kitchen, the cat begins wrapping himself around my ankles.  I tell him that my landing in a heap on the floor won’t feed him faster.  Not that trying to talk commonsense to a determined feline wins me more floor space.  All these antics are his gambit to more quickly gain his wet food with greens.

One of his favorite wet foods is Fancy Feast Wild Salmon Primvaera.  I treat the wet food as a bonus addition to his main staple of dry food.  I divide the small can in half, giving him half the food and saving the other half for the next day.

I spoon the food onto a saucer.  For a small can, a half-can portion provides a generous serving for the cat.  He is an adult male cat who enjoys both his wet and dry foods.

The salmon primavera is packed in a sauce.  For the most part, the pieces are small and rarely need chopping into finer bits.  This meal is definitely not chunky.  The cat food ingredients with the fish, vegetables and greens are mixed well together.  Looking at the food, I can see bits of the greens and carrots.  There is no obvious odor to the food.

I leave the saucer of food on the floor near his dishes.  In the morning, he dives into eating the food but rarely finishes his half-can serving.  However , throughout the day, he returns to eat until the dish is clean.  He has no trouble eating this food since the pieces are small enough for easy consumption.  I keep the leftover can of food covered and on the counter at room temperature.  The cat is just as happy eating the food the second day.


These ingredients are from the manufacturer’s web site:

Fish Broth, Salmon, Wheat Gluten, Liver, Tomatoes, Carrots, Meat By-Products, Spinach, Corn Starch-Modified, Chicken, Artificial And Natural Flavors, Salt, Added Color (Red 3 And Other Color), Calcium Phosphate, Soy Protein Concentrate, Corn Oil, Potassium Chloride, Taurine, Choline Chloride, Magnesium Sulfate, Thiamine Mononitrate, Vitamin E Supplement, Zinc Sulfate, Ferrous Sulfate, Niacin, Calcium Pantothenate, Vitamin A Supplement, Menadione Sodium Bisulfite Complex (Source Of Vitamin K Activity), Copper Sulfate, Manganese Sulfate, Pyridoxine Hydrochloride, Riboflavin Supplement, Vitamin B-12 Supplement, Biotin, Folic Acid, Vitamin D-3 Supplement, Potassium Iodide


Even though this Fancy Feast Elegant Medleys Wild Salmon Primavera is more expensive than “bargain” cat foods, I know he will eat it and enjoy his special meal.  Sometimes I buy the food in bulk to save money.

I hope you found this review useful.

Enjoy your day,

Copyright 2015 Dawn L. Stewart

Great pet products in our home.  Click image to view on Amazon.

Fancy Feast Florentine Variety Pack                 JW SoftGrip Cat Comb

Fancy Feast Primavera Variety Pack         SmartyKat Organic Catnip



by Adam Vorhees and Alex Hannaford

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(4.5/5) cool

Pros: Full of amazing photography and compelling supplemental material

Cons: Some will find this book to be grotesque and downright gross

Published in late 2014, Malformed: The Forgotten Brains of the Texas State Hospital combines eye-opening photographs with text to tell the story of a collection of around one hundred human brains taken from former patients at the Texas Lunatic Asylum (later known as the Texas State Hospital). Housed in large glass jars full of formalin (a mixture of formaldehyde and methyl alcohol) and assembled during a period from the early 1950s to mid ’70s, these brains exhibit a wide variety of abnormalities – presumably, they were preserved in order to hopefully shed new light on the various conditions suffered by the patients. In 1986, when it became apparent that Hospital could no longer care for the specimens, a “battle of the brains” ensued in which various institutions made a case for why they should acquire them. Eventually, the brains were transferred to the University of Texas at Austin’s Animal Resources Center where they’ve been used as teaching aids and research material.


One of the most astounding (and potentially disturbing) aspects of this book is the selection of crisp photographs included. Taken by Austin-based still-life photographer Adam Voorhees, these pictures are eerily beautiful, documenting many individual specimens of the collection, and the (sometimes, rather negligible) condition that they are in. Typically, the photos show an entire brain set against an almost disturbingly nondescript background, but various abstracts showing close-ups of either the brains themselves or the jars they are housed in are also included. A number of the collection’s specimens have been dissected in some manner and a handful of “teaching specimens” are also glimpsed in the pages of the book – these allow for more careful observation of the structure of the human brain, and many are dyed so that their different parts stand out. Among the more downright gross parts of the collection are jars in which various organs are included along with the brain, and a few in which portions of the scalp and cranial cavity have been preserved in their entirety.


Though indisputably macabre, the images here are also quite fascinating. It’s possible for a reader of this book to make note of how some brains are different from others: these subtle inconsistencies usually meant severe debilitation for the various patients from whom the specimens came. The majority of the brains in the collection are labeled with Latin descriptions of the afflictions suffered by the patients, and an observant reader will start to note certain characteristics relating to these conditions – for instance, dark coloration in the lobes reflects that the patient may have suffered a hemorrhage of some type. A few specimens are wildly asymmetrical, and one was almost smooth, suffering from a condition where the folds failed to develop. Perhaps one of the most interesting and somewhat tragic things about these specimens is that their descriptions sometimes reveal that the patients suffered from conditions that are much better understood and in some cases, actually treatable today. A remarkable number of these brains are identified as having come from persons with Down syndrome, and there’s no doubt this condition is handled much differently now than it was in the 1950s, ‘60s, and ‘70s.

Along with the photographs, Malformed includes several chapters of text by writer Alex Hannaford discussing the history of not only the collection, but also the Texas State Lunatic Asylum. This facility was constructed in the mid-1800s, accepting its first patient in 1864. Built on an idyllic stretch of land a few miles from (what was then) downtown Austin, the asylum was virtually self-sustaining, with crops, animals, and by the turn of the century, even its own power source on site. Hannaford relates various anecdotes about the hospital, drawing articles from the local newspaper to give credence to some of the stories, and I found this section of the text to be the most interesting since it inevitably chronicled the way in which societal views about mental illness and how it should be treated have changed over the decades. Later in the text, Hannaford examines the notion that nearly half of the collection – including the brain of UT sniper Charles Whitman – has disappeared. This is extremely unfortunate and largely mysterious, but even more troubling is the fact that the medical records of the patients whose brains are in the collection have also been lost. This makes in-depth study of the specimens difficult, but advancing technology would make up for this to some extent. The text concludes with a chapter that theorizes about how the brains will be used in the future, and the amount of knowledge that can be gained from them is virtually unlimited.


Roughly 180 pages in length, the book is very sharp-looking though the font size here is quite small. Regardless, I found Malformed to be easy to read since it never becomes overrun with scientific and medical jargon, and I think there’s a nice balance between the amount of text and number of images. One would think it would be easy to write an almost ghoulish, sensational text to go along with these photographs, but Hannaford’s writing is quite tasteful, emphasizing the more intriguing aspects of the collection and spurring the reader’s imagination. Clearly, the subject matter would limit this book’s appeal to mainstream readers, but there’s definitely a crowd out there who would find it fascinating – I was filled with a sense of wonder while reading and looking through it. In any case, Malformed: The Forgotten Brains of the Texas State Hospital has to be among the more unusual and esoteric coffee table books one would ever come across: it wouldn’t be to everyone’s liking, but I’d highly recommend it.